Showing posts with label Substation. Show all posts
Showing posts with label Substation. Show all posts

Wednesday, January 6, 2010

First Takes Jan 2010 - Mummy by Teh Zhi Yuan

Fly-By-Night, the annual video challenge is a great platform to make a statement. You've got only 48 hours, don't do elaborate plots, don't do multiple locations. It seems stationing yourself at a point and making it intense seems to work better. 

A state of coma, in a bathtub full of ice, the final scene evokes a unnerving sense of regret and helplessness. But not without the ironic string of statements about the relationship between mummy and son. Gliding through the furniture and objects that make up the bathroom, the camera establishes a immediate level of intimacy between us and the character (yet to appear). The bittersweet statements suggesting motherly love makes you more and more uneasy and the camera seems to closing up on the final subject in the bathroom.

Nothing gets more painful when it is immeasurable and sublime like this. It is fortunately on YouTube. Enjoy!

  

First Takes Jan 2010 -Fighting Fit by Sulaiman Salamon


This is the 1st Film which gave me an impression of "HUH?! That's it?" situation.
But it is an interesting theme to play with.

It is a common issue where young men will inflict personal injury onto himself to avoid being assigned to infantry unit for 2 years of National Service.

After long verbal fight between the 2 of them,the action to personal injury is committed and everything ended with all the vulgarities at the background noise which attracts me during the credit roll.

So...There's consequences when you intend to make the wrong action.You will Regret along the way,even before the action is done.

Fighting Fit touches on the psychology of wanting something so badly that one is willing to inflict pain upon oneself to achieve his goal.

First Takes Jan 2010 - Singapore Satire by Joshua Ng & Faridah Saad

An initial impression of ‘Singapore Satire’ may sound like this: If not for the juicy topic and the rich montage of film excerpts from local movies, this documentary might have been an equivalent of a video representation of a Wikipedia entry. It was too linear in its approach. Its only purpose seemed to be to inform. In fact, it seemed very fit for ChannelNewsAsia. I was proven wrong at the end because it did leave the audience with moments of surprise and even a question to think about. 

A rich montage of personalities and film excerpts made the film, just like how the still from 'Talking Cock' the movie made the still for this documentary film (to the extent of misleading me a little). The plethora of personalities spanned writers, humorists, professionals and researchers. To be cheeky, even the stranger who dug

 his nose while walking towards the camera stole a few moments. Through their perspectives, definitions and sometimes, strong stands on what is satire and what's the state of satire in Singapore, we get a good sense of the breadth of satire that can be seen in Singapore. I guess this showed how thorough the team was in getting the best people to be interviewed. I like what they mentioned during the Q & A: every rejection for an interview spurred them to find even bigger personalities. 

What's interesting is also that if I thought about how satire is defined in this documentary, then about 70% of Singapore films, plays, TV shows, skits are satirical in nature. Wang Sa Ye Fung skits were satires. Jack Neo films are satires. It is all around us. But surely not many people would think Singapore accommodates enough free speech. So where is the answer in this paradox? This was what I probably took home with me from this little film (the answer came from writer Kirpal Singh)......There are satires that penetr

ate and leave you slightly disturbed (like 'Singapore Gaga') and there are satires that just take the mickey out of situations but also finish with a happy ending (like the many stage plays we see). Between 'The Blue Mansion' by Glen Goei and 'Singapore Rebel' by Martyn See, there is a huge huge gap, even though both are satires.

Well done on a well-researched documentary! One sad thing to note though: it is noticeable that many well-researched docus have been made under school 'assessed modules'. Wonder if they will continue to make such painstaking efforts again after graduation...

Wednesday, December 23, 2009

Substation:Singapore Short Film Awards Submission(4 MORE DAYS!)




SUBMISSION DEADLINE EXTENDED!

For the first Singapore Short Film Awards in 2010!

Presented by The Substation Moving Images
Co-organised by Objectifs: Centre for Photography and Filmmaking

DEADLINE EXTENDED TILL 28 DECEMBER 2009!

25 January to 31 January 2010

An entire week of short film screenings every night showcasing all Singaporean short
films produced in 2009!

Thanks to the overwhelming response, the deadline for submission will be extended to 28 December 2009!

Also, there is a change regarding the criteria for submissions. Instead of made in 2009, we will now be accepting films made in 2008/ 2009. However, they must have been released after 1 January 2009 i.e. first screened publicly in 2009.

The reason being, some films made in 2008 either held back their premieres for festivals in 2009 or did not get a chance to screen before. Since we wanted to re-cap all short film activity in 2009, we could not leave them out!

Too complicated? Just give us a ring or drop us a mail, we will be happy to explain!
So submit your short films, no longer than 30 minutes to us today!


Films made in 2008/2009 but only screened publicly in 2009 are eligible to enter. Submission fee of SGD10 applicable. Cheques to be made payable to The Substation Ltd.

For further enquiries, please contact:

Low Beng Kheng
bengkheng@substation.org
movingimages@substation.org

Aishah Abu Bakar
aishah@substation.org
Tel: +65 6337 7535, Fax: +65 6337 2729